The
deaths about which much of the plot of Peter Robinson's newest
Inspector Banks novel revolves occur just before the opening pages, when
a particularly brutal murder is soon followed by the apparent suicide
of the prime suspect. All the evidence points to that sequence of
events, with none indicating the presence of any third person. The two
men had been lovers, and the subsequent investigation turns up photos of
the murder victim with another man, the conclusion being obvious: A
'simple case' of extreme jealousy, rage, and remorse. Banks remains
unconvinced of that scenario, however, based solely on a nagging
suspicion that there is more here than meets the eye; the discovery of a
business card which had been in the possession of one of the dead men
on which is printed a phone number which does not exist; the fact that
so much effort is taken and pressure exerted to ensure that the case is
closed and that no further investigation is undertaken; and the feeling
that there is some kind of Othello analogy at play.
Othello
is the current production of the amateur theater group performing at
the Eastvale Theater, where the suicide victim worked. When Banks
attends the play with his girlfriend, he describes it to her as being
about 'jealousy, betrayal, envy, ambition, greed, lust, revenge . . .
All the colors of darkness." Of the murder victim, he is told others
only saw "a small part of him. The rest was shades of darkness, shadows,
smoke and mirrors." And, as the end of the book nears, Banks perceives
"all of it nothing but a distortion of the darkness he was beginning to
believe lay at the center of everything."
On a lighter note, part
of his investigation brings the DCI to the office of a pretty private
investigator who, upon meeting Banks, exclaims with delight: "Are you
Brian Banks' father?' This is a first for Banks, whose son is a guitar
player in a rock band and apparently somewhat of a rock hero.
When
DI Annie Cabbot says to her superior "We have to pursue the truth," she
is told "Since when? That's a luxury we can ill afford." The novel
deals with the unexpected and perhaps unintended consequences of lies
told, or matters otherwise misconstrued. The author, celebrating the
22nd anniversary of the first Inspector Banks novel, never fails to
deliver a book filled with gorgeous prose, and this one is, like the
others, highly recommended.
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